Writing fiction is great. It’s the best catharsis around. You get to create characters, make them up anyway you want, and then do absolutely horrible things to them. I’m not being negative. That’s what most storytelling is: characters overcoming obstacles and adversity. And hopefully they will grow and develop along the way, some for better and others for worse.
Some writers shy away from the horribleness. I remember a tweet from a fellow blogger some time ago, where they said, “I’m sorry for my protagonist, I’m going to have to do all these bad things to you.” For others, it’s not such a problem. There’s no real right way to do this, and maybe sometimes it’s good to “curb your enthusiasm,” so to speak. Too many setbacks for your characters may turn off the audience. For myself, I tend to come from the Chuck Palahniuk School of Embracing The Darkness. So, maybe I enjoy all this a little too much. But whatever you call it (horribleness, setbacks, adversity), your characters must experience it, sometimes a lot of it, and it must hold some kind of truth that you are wanting to convey. As it turns out, some truths are naturally darker than others.
Your protagonist must always seem to be flying in the face of adversity. That’s what storytelling is, at least with most popular fiction. It’s up to you how it all ends . You can have him/her lose in the end, like in the original Rocky, or you can have them win triumphantly like in all the other Rocky films that followed. But either way, it always has to be a hard road until you get to that point of fruition. And there always has to be a balance between adversity, character growth, and levity.
The trick is making the obstacles believable. You don’t want it to look like you just threw something in there. The story elements must all be organic. If the characters are developed properly, once you set it all in motion the characters will tell you what they will do next, what they will say next. That way, all of their motivations will be believable and true. Character development is probably more important than outlining the story/plot when it comes to shaping the actual story. Then by putting in obstacles, you end up stringing everybody along, including the characters and your audience (in a good way). You will even need to break your own heart, since in order to fully write any powerful scene, you will need to feel what the character is feeling. But I guess that’s the rush, that’s why we do this.
It all starts with creating a character, and setting events in motion. So, everybody go out and do horrible things. Fictionally speaking, of course.
Love this post, exactly what I needed to read!! I stopped writing my book this summer b/c I was about to break my characters heart. Finally when I got back to it I wrote like a crazied animal, couldn’t let the story sit for long with her heart broken, had to get to the HEA 😀
This is so true, you know you’re writing something heartfelt when you start crying because of your character’s actions or actions that were presented against them. One of the greatest thing that a writer can do is have their audience feel what the characters are feeling.
Those are the authors I love the most; they are the ones that can cause that crazy feeling in the pit of your stomach or make your heart sink while reading something.
This is a thought-provoking read in light of my current circumstances. The second book in my series, which I was to have begun editing last Saturday (*cough*), started with an ending far too rough for my liking. The series is in no way easy on its protagonist, but in that one, I crossed a boundary of being mean just for the sake of being mean. At first I thought it was so cruel I’d have to start over from scratch, but I found a way to make the overall level of cruelty across the three books not overwhelming while retaining the second book’s framework.
The third book? I wrote it while a friend was visiting from the States. I documented little pieces of our exchange, so that I laughed when I found documented my statement, “I get to write a torture scene! YEAH!”
Which one’s are those?
The Monsters Daughter, a YA paranormal coming of age tale that involves but is not about vampires. 🙂
This is one of the reasons fiction scares me off. But I totally agree with you too.